This material was recorded around the end of 2015 and 2016. I had been playing a lot in open D tuning and found some simple, pleasant finger picking patterns. If there is any real-world inspiration for this it is a trip I took to Alaska in July of 2015. The sheer scale of the terrain, along with the tremendous resilience and oddity of the people who live in the more remote areas is remarkable. I felt compelled to work towards expanding my musical vocabulary from playing around with synths and Ableton effects to live recording using more traditional instruments. Somehow it made me feel like less of a hipster dickhead, though I think most would still rightly label me as such. I don’t pretend to be a gifted guitar player, but it has grown to be one of my favorite pastimes and going forward I anticipate making even greater use of the instrument.
Though I had certainly played these guitar parts before, all of these recordings are mostly improvisational in that I started with a repetitive hook and went from there. They were recorded on a single mic built into a Fostex MR-8 multi-tracker with some reverb added upon recording and some effects added in Ableton, though the only substantial edits to the audio itself was to remove some pops and clicks resulting from the primitive recording setup. I mention this setup only because I’m timidly proud of how the guitar fades out in the final two tracks since this effect was achieved only through playing and not through fading a guitar track out in post-production. I recognize that despite this feat, there is much I have to learn in the way of recording methods, but as I’ve been preparing the final release I just thought I’d mention it since it still sounds pretty good to my ear despite all the creaks of my chair while recording.