While I hadn’t heard Jeff Parker’s name before coming across this album, I had definitely heard him play before as a member of the Chicago post-rock group Tortoise. It was only after looking up his full discography that I realized how prolific he is as a guitarist. Here Comes Ezra comes from his 2016 album The New Breed, which was put out by Chicago label International Anthem.
After studying music at the Berklee College of Music, he moved to Chicago and got involved with the Association for the Advancement of Creative Musician, which has been supporting avant-garde jazz and other improvised music since the mid-1960s. The AACM was closely aligned with art collectives on Chicago’s south side in the mid-1960s and continues to promote and support experimental and improvisational music from black artists. It’s interesting that the AACM would come about around the same time that the first American studio for experimental classical music was being put together just a few hours south of the city at the University of Illinois at Urbana-Champaign. The AACM is all the more impressive because of its grassroots origins, and it continues to support experimental music by black artists in Chicago and elsewhere to this day.
In addition to his solo releases, Parker has scored a number of films which you can see here. You can purchase his albums on his site as well. Tortoise most recent album The Catastrophe has been in pretty heavy rotation for me as of late, and they recently put out a book of pictures from their tour.
One of the coolest live music experiences I’ve had was seeing Good Willsmith perform at a residency in Chicago where each of the three members was on a different floor of a three story building. I won’t bother trying to capture the feeling with a lot of adjectives, but it was a great show. I distinctly remember emerging onto the floor where Natalie Chami (aka TALsounds) was performing and after having seen both Doug and Max play solo it really hit home how much her vocals and synth work added to the group’s sound. That’s why I was so pumped to learn my local record store Eroding Winds had a copy of her solo record Love Sick from Ba Da Bing Records. I actually received it as a birthday present and when my gf asked about it, apparently the guy at Eroding Winds said he didn’t think anybody in town would buy it. I guess I have some evangelizing to do.
After listening to it a few times through yesterday, it’s hard to understand who wouldn’t enjoy this album, which consists of all improvisations recorded with no overdubs. In addition to performing as part of Good Willsmith and as a solo artist, Chami is also part of another ambient duo called l’éternèbre, which started in Chicago and is now a long-distance collaboration. The other half of the group records under the name grey ghost, and he appeared on one of the first tapes I bought from Hausu Mountain. It was the second volume of their Mugen series, and he actually shares the tape with TALsounds. You can hear more of her solo stuff over at her bandcamp and order your own physical releases of Love Sick here.
It’s as if someone opened a time capsule and found a whole new Fripp/Eno record for me to put in my ear holes. Transcendence comes off the groups 2013 release Bitchitronics put out by Drag City. The group coalesced as a solo project of CAVE guitarist/organist Cooper Crain and primarily comprises Crain, Rob Frye, and Dan Quinlivan. All three are active in the psychedelic/experimental scene in Chicago, with Frye and Quinlivan contributing to releases for Chandeliers, who came to WNUR when I worked there and rocked it, as well as appearing on small-print releases for Circuit Des Yeux, who appears on Chicago label Thrill Jockey. Crain is also an active recording engineer, working on records for Heavy Times and Circuit Des Yeux. Given that the earth is rapidly heating, if you’re not gonna get out there and try and shut down Exxon Mobil then I’d recommend loading up on fuzzy guitar drones and blasting the hell off.
Double Moon comes off the final release from Tyson Torstenson’s art rock project Magical Beautiful entitled Discover Death. Torstensen has been active in the experimental music scene in Chicago since the early 2000s, and he began releasing material under the name Magical Beautiful (along with an array of collaborators) in 2005 with a self-titled release coming in 2006. That first record featured covers/re-workings of songs by artists like Bjork and Joe Meek and had Torstensen performing, mixing, and mastering the release himself. On subsequent Magical Beautiful releases, he would enlist other Chicago artists like Nick Broste, Alance Ward, and Peter Andreadis in various roles. In addition to Magical Beautiful, Torstensen records ambient music with Broste under the name Gaspra and plays bass with the group Axis:Sova. For a full list of his projects, check out his website. The whole record is a really great and it’s free to download on Bandcamp, so if you dig Double Moon I’d encourage you to listen to the rest.