Graduate Assistant for Sousa Archives, PhD student in Musicology
Scott W. Schwartz
Archivist for Music and Fine Arts and Director
Sousa Archives and Center for American Music
I’ve been a little behind posting track of the day because the holidays snuck up on me and in part because I’ve been trying to put together this interview post in a way that was informative, interesting, and as accurate as could be. I sat down with Nolan Vallier and Scott Schwartz of the Sousa Music Archives at the University of Illinois to discuss a recent exhibit they had put together documenting the development of the Experimental Music Studio at the University of Illinois.
Throughout the interview, we discussed the EMS’ role in the development of experimental music in the United States during the middle of the 20th century. We also discussed some of the challenges of telling a story like this within the context of an exhibit. Throughout I have attempted to assemble recordings or relevant information about the composers and compositions discussed. The Sousa Archives are currently displaying an exhibit on Partch as well as displaying a working replica of the Harmonic Tone Generator which is a real treat to play, so if you have the time I suggest you check them out. More info can be found here.
I began the interview by asking how the EMS first developed by making use of the ILLIAC I which was completed in 1952 and represents the first computing device constructed and controlled entirely by the University. It is this computer which serves as the foundation for the establishment of the EMS, which came as the University of Illinois prepared to unveil the ILLIAC I’s successor, ILLIAC II: